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Jul 28, 2020
《第三十六個故事》追夢,是建構價值觀的過程
Written by Molly 「給我 我想要的生活…」 雷光夏輕輕柔柔的唱著,搭配著慢鏡頭下朵兒愉悅而輕快的操作著咖啡器械,經典的美式咖啡是這部電影的基調,加了一點自由調味變成了台北人最喜歡的拿鐵,再加一點理想調味多了一點甜甜的味道,變成了焦糖瑪其朵,然而你也必須接受咖...
Jul 28, 2020
Father to Son (2017) Film Review
Written by Tinzar Lwyn Premiered at the International Film Festival in Rotterdam, the third feature of Hsiao Ya-Chuan , Father to Son, is...
Jul 28, 2020
Mirror Image (2000) Film Review
Written by Tinzar Lwyn Set in a confined pawn shop, with a colourful menagerie of ill-fated clientele, writer-director Hsiao Ya-Chuan’s...
Jul 27, 2020
Boluomi (2019) Film Review
Boluomi directed by Lau Kek-Huat and Vera Chen is based on director Lau's memory to tell the history of Malaysia. The uses of memory...
Jul 26, 2020
Filmmaker in Focus - Hsiao Ya-Chuan
Filmmaker in Focus - Hsiao Ya-Chuan “When I filmed Mirror Image in 2000, I was in my 30s, and I used destiny as sarcasm to question life....
Jul 26, 2020
焦點影人—蕭雅全
文|Simon Yang 「命帶追逐的時候,我好像一直在嘲諷宿命......三十歲的作品有一個特質,像是嘲諷和挖苦。五十歲的時候我的看法是,就算人生有百分之九十到九十五是重複的,我們跟我們的父母、我們的父母跟一千年前的人,喜怒哀樂和其他種種好像非常雷同。」...
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